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James Chesterfield - UX, Visual, Accessibility Designer
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ThinkFaire Art & Science Popup Gallery


Activities & Roles:

  • Partnerships & sales

  • Design research

  • Graphic design

  • Content design/UX writing

Programs Used:

  • Adobe Illustrator

  • Adobe Photoshop

Team:

  • Myself (Design)

  • Mark Dabler (Construction)


Overview

TEDxNaperville bills itself as an interactive, full-day conference. Outside of speaking sessions, attendees need to be entertained and engaged with ideas and with each other. In 2015, the organization moved to a new venue to house its growing fanbase. From 2014 to 2015, attendees grew nearly 60% and the organization quickly realized it needed to fill that new space with engaging content.

In 2013, I attended TED (the parent conference) in Long Beach, CA, which hosted a museum-quality exhibit in public interest design featuring interactive displays of world-changing products. This exhibit showcased the products and systems being built by researchers and designers around the world and bringing them into a single location for consumption and consideration.

I wanted to fill the TEDxNaperville venue with an equally-beautiful exhibit, but featuring local products from local organizations. This would help fill our venue space while bringing meaningful interaction to our local audience.

The public interest design exhibit at TED2013 designed by Autodesk in collaboration with global designers. Photo: Autodesk

An exhibit showcasing the low-cost Embrace Nest for keeping babies warm, designed by Stanford students. Photo: Michael Brands

An exhibit showcasing IDEO.org’s sanitation system for preventing disease in the world’s poorest regions. Photo: Scott Sheppard

An exhibit showing a locally-built and naturally-designed hospital in Rwanda by architect Michael Murphy.
Photo: Scott Sheppard


The Problem Space

To do an equally-stunning exhibit, I’d have to research and connect with a variety of local organizations, sell them on the idea of the exhibit space, design and build their displays, and do so at little to no cost.

From the beginning research on exhibit-style furniture rentals, we knew we’d have to build any pedestals ourselves. We knew we’d need 4-7 exhibits to fill the space, and we also knew we’d need to accommodate the flow of 20-30 attendees at a time for about 4 total hours.

But perhaps most difficult was that this was the first time our organization (or specifically, I) had built an exhibit space like this from the ground up, so I’d need to do extensive research on how to build spaces. The major challenges were as follows:

  • Which organizations to partner with.

  • The design of both the exhibit bases (pedestals) and the product displays themselves.

  • How to layout the physical space.

  • How to recoup the cost of materials (or even make money).


Research

Research spanned multiple categories and areas of design, from building and designing a space to determining the size and shape of exhibits. For this work, I would focus on the product selection, overall specifications for everything, and product displays, while another TEDxNaperville volunteer would focus on building the pedestal designs.

Design Guidelines & Accessibility

This was research on the design of spaces and displays, with extensive focus on accessibility and pedestal design. This also included the size and shape of the product designs that would go on top of each pedestal.

Furniture Renting or Creation

This was a significant amount of work, first understanding what we could rent or buy that fit our needs, and then realizing the enormous expense, how we could build our own displays.

Local Companies & Partnerships

This was a lot of online and networking work, locating potential companies or products, connecting with their creators, and getting them onboard. I even built a pitch packet to help explain the concept.


Research Outcomes

The Pedestals

To control cost, we would make our own pedestals out of 2 IKEA square end tables, flipped so that the legs would touch. Inside the pedestal we would weave a strand of color-changing LED lights as a cheap way to increase visual impact. Spaces between the legs would be covered with a semi-transparent plastic covering to provide a clean but semi-transparent exterior. We’d also include a small side shelf for hand-outs about the product.

  • ~$25 cost for each pedestal total

  • 36x22x22 inches

  • Exhibits would velcro to the pedestal top

The Cost

The design and build work would be done by myself and other volunteers, so the only costs would be the pedestals builds and printing for the designs and design backboards. Or goal would be to just cover costs.

  • Printing was donated by a local print company in exchange for a marketing partnership

  • Build costs would be covered by a request for donation from each of the organizations we’d feature

The Companies

We contacted about 10 organizations and most responded. The following organizations and products were accepted:

  • Argonne National Laboratory’s Array of Things civic data collection array 

  • Fermi National Accelerator Laboratory’s Muion G-2 Experiment

  • Azuba’s Healthcare democratization platform

  • Dimension Polymers’ fully-recycled 3D printer filament

  • Carrot Interactive’s low-cost digital whiteboard system

 

Product Display Design

The displays would be designed in the style of the original TED display, with infographic-like visuals for easy consumption, simple language, and interactive components where possible. The displays be high-gloss, graphic prints placed on museum-quality foam board. These boards would sit on top of the pedestals and include a base (where the product is) and backboard (explaining the product).

Space Design

The space would be designed in a “U” shape to allow traffic to flow through each exhibit. We’d also fil the space with posters and other content to help reinforce the ideas shared by the exhibits.

Fermilab also donated a large touchscreen table as a centerpiece of the exhibit space.

 

Embodying the Feeling in a Logo

Initially, ThinkFaire was described as a modern exhibit space, but as we moved through the process, we wanted the brand to feel more like a World’s Fair from the early 20th century. This would stress the feeling of new and interesting while still keeping the design centered in the old school wonder of invention. We switched from “fair” to “faire” to help create this more retro feel, and then changed the logo to be reminiscent of the actual World’s Fair rather than a sci-fi-style rocket ship.

We also changed the font a more modern, swooping font like Lobster to something more art deco or turn-of-the-century. The final font selected was TallDeco by Thomas Harvey.

Initial logo mocks for the ThinkFaire, featuring a more modern feel and rocket icon.

Final logos for the ThinkFaire, featuring a World’s Fair symbol in the middle and a more retro font.


Planning the Designs

I wanted to base the work on the high-quality designs and displays in the original TED conference. To keep costs low, I chose to design at a standard foam board size of 2x2ft, then I build a grid system to allow me to modularly place “panes” or cutouts around the design while still accommodating physical space for placing the products.

The final product displays would feature 2 components: A backboard that faces the viewer and describes what the product is, who’s working on it, and what problems it solves, and a baseboard that a viewer looks down upon and describes the product’s grander implications.

An original, to-scale, lo-fi mockup of one of the product display backboards, including measurements and various content “panes” describing what the product is, what problem it tries to solve, who is doing it, and larger implications.

 

Designing the Visuals & Content

Visual design was inspired by the original exhibit at TED2013. The designs themselves were built on a modular grid system so that I could arrange blocks if needed in the final design (i.e. I wasn’t going to get a chance to print any of this again).

Content was designed to be easily-consumable, using simple language and infographic style visual elements. Each display was designed in the same way, with the backboards describing the story of who, what, why, and how, and then the baseboards relaying what might be in the future based on that product.

All images were either sourced from creative commons image sites or provided by the partner organization. Icons were sourced from free sites or designed by me.

Backboard for Argonne National Laboratory’s Array of Things

Backboard for Azuba’s democratized health care records app

Backboard for Fermilab’s Muon G-2 experiment

Baseboard for Argonne National Laboratory’s Array of Things

Baseboard for Azuba’s democratized health care records app

Backboard for Dimension Polymers' fully recycled 3D printer filament

Backboard for Carrot Interactive’s cheap, open-source digital whiteboard

Baseboard for Dimension Polymers' fully recycled 3D printer filament

Baseboard for Carrot Interactive’s cheap, open-source digital whiteboard


Assembling the Designs & Displays

Once the designs were finalized, I had them printed and then began assembling the displays. Again, for each product, there would be a backboard and a baseboard, each made of foam board with content “panes” placed upon smaller pieces of foam board and glued to the larger boards. This is a rough overview of the process:

  1. Print the designs via a partner organization

  2. Cut out the prints

  3. Cut the foam board backboards, baseboards, and individual “panes”

  4. Glue the prints to the cutout “panes” and boards

  5. Test product placement and sizing within the final displays

Final high-gloss prints donated by the TEDxNaperville printing partner that year.

Printed “panes” assembled onto cutouts and the final backboard for product sizing and testing purposes.

Foam board backings and content cutouts to create raised “panes.”

Assembled pedestal using two IKEA end tables with transparent plastic inlays and LED lights inside.

Ready-to-cut prints with foam backings prior to being glued together.

TEDxNaperville volunteers the night before the event assembling the ThinkFaire venue, pedestals, and and a giant wall poster to set the space’s theme.

 

The large-scale wall poster to help reinforce the ideas presented at the ThinkFaire.


Outcomes

The ThinkFaire was a massive undertaking for just a handful of people to attempt. I spent hundreds of hours creating contacts across organizations, pitching the idea, creating partnerships, and designing and building the product displays and overall space.

In the end, hundreds of attendees moved through the exhibit, interacting with their creators and the ideas within. This gave attendees a deeper appreciation and understanding for the world-changing ideas happening right in their back yards.

Ignoring the volunteered cost of labor, the exhibit ended up making about $750 for the organization through partnerships and donations, making this a net positive exhibit for TEDxNaperville, as well as an incredible marketing and engagement opportunity for the organizations involved. Through this experience, TEDxNaperville was able to uphold their mission of brining real, tangible ideas to the masses.

The ThinkFaire gallery the morning of the event, awaiting attendees. Photo: Tokenbrit Pictures

A scaled model of the shipping process for Fermilab’s Muon G-2 Experiment next to its display.

The young inventor of Carrot Interactive’s digital whiteboard guiding attendees through his display.

A pre-event shot of a finished pedestal, display, and the large wall poster designed for the exhibit.

Azuba’s CEO discussing his democratized healthcare system next to his display featuring an iPad.

Attendees interacting with the Fermilab touch table and learning about various science topics and experiments.

A lead scientist from Argonne National Labs’ Array of Things project showing off device components.

Attendees interacting with the Fermilab touch table and learning about various science topics and experiments.

 

Designed in Chicago // © James Chesterfield